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Walter Hagen, golf and Florida real estate

by | Jan 6, 2021

The Historian

Walter Hagen, golf and Florida real estate

by | Jan 6, 2021

This article was first published in January 2018.

Real estate, golf courses and Florida sunshine have long gone together, but not always happily. It is to a golf complex in Florida (the wonderfully-named Valhalla Village) that novelist John Updike, with his keen eye for the underlying dynamics of American society, as well as for its surface details, sends his fictional protagonist, the former high school basketball star ‘Rabbit’ Angstrom, to die. In 2009, a non-fictional Florida golf complex impacted briefly on the global public’s consciousness when, at Seminole Landing (named after the Native Americans from whom the original real estate was liberated), Tiger Woods met his marital Waterloo, being chased down his ultra-exclusive driveway by his enraged, golf-club-wielding wife.

It would be an understatement to dub adjacent Seminole Golf Club ‘exclusive’. To appreciate its precise degree of exclusivity, consider the fact that Seminole turned Jack Nicklaus down for membership in the late 60s. An indication that, even in this particular milieu, society was changing – albeit at a glacial pace – is the fact that the club’s decision to blackball a Midwestern boy who happened to be the world’s greatest golfer caused at least one committee member to resign (from the committee, that is, not the club; it would have been too much to expect a full member of Seminole to cut his mooring-rope completely, and – as it were – leave himself adrift in the Florida swamplands).

Another golfing legend, Ben Hogan, who practised at Seminole at the start of every season, received better treatment, in the sense that the club made him an honorary member. In my view, the explanation for the disparity lies in the difference between an aura and a mystique: people respected Nicklaus but they weren’t curious about him; everyone was curious about Hogan. In 2018, a technological indicator of Seminole’s continuing remoteness from the mass of humanity is its comparatively tiny internet footprint (Google it, if you don’t believe me: the club puts almost nothing out there; almost all of what is written about it consists of peering-over-the-wall articles by the permanently excluded).

As is well known, Nicklaus and Woods stand first and second respectively in the rankings of major winners. Third on the list, with eleven victories, is the somewhat forgotten ‘Sir’ Walter Hagen. Yet he, too, had a brush with real estate and golf in Florida. Indeed, ‘The Haig’ was in at the beginning of things, which is what makes his story worth telling in this, the first of a series of articles on the real estate decisions of famous people. Hagen once observed of himself: “I never wanted to be a millionaire; I just wanted to live like one.” In post-war America, he wasn’t the only one. In the ‘Age of Excess’, aspiration and exploitation intersected in the Florida land boom.

That was where Hagen came in: the bidding war for his services which saw his salary escalate to $30,000 dollars a year, plus an acre to build a house in Bear Creek Country Club (soon re-branded Pasadena on the Gulf), was the inevitable outcome of the fact that the men-who-make-things-happen saw Hagen as the key figure at the end of a well-conceived sales pitch designed to sandbag visitors into buying holiday homes or even permanent ones in Florida. The pitch would run: sunshine, a grand gateway at the entrance to the complex, a golf course with the magic words ‘Country Club’ attached, Spanish-style housing to suggest gracious living (such was the white picket fence dream for the Age of Unreality), and, waiting to greet them in the driveway, Sir Walter himself, with his plus fours and his argyle socks and his berry-brown, smiling face. They would trust the Haig, especially when they learned that he was building a house on the site.

The winner of this 1925 bidding war for the endorsement value of the world’s most famous and popular golfer was ‘Handsome Jack’ Taylor. His sobriquet makes him sound like a pirate, which is not completely wide of the mark. Certainly, he jumped ship instantly when the bubble burst; bankrupted overnight, he was never seen in the sunshine state again. Sadly, the problems he left behind did not manage the same vanishing act. The casualty rate in the Florida land boom has been estimated at 90% of those who invested money. Pasadena Golf and Country Club Course was soon a neglected patch of weeds; also neglected were the exotic animals ‘Handsome Jack’ had imported to enhance Florida’s tropical feel. To be fair, the idea of using elephants as caddies on a Florida golf course was not his, but his notion of placing monkeys and birds on a fake tropical island for potential investors to gawp at was bad enough.

If Hagen felt guilt over his Pied Piper’s role in all of this, he never admitted it. His memoirs telescope time (not always for dramatic effect) and much is omitted. What he does put on paper suggests that he aligned himself with the victims, on the grounds that from 1927 onwards, the good times no longer rolled for him either. But he had never made the mistake of investing any of his own money in Taylor’s country club schemes. When reality supervened, all it meant for Hagen was that he would no longer be paid his huge salary. As an investor, he may have lacked the shrewdness and flair of Charlie Chaplin or Ty Cobb, but at least he knew it. In consequence, he took fewer risks for smaller amounts or he took no risks at all; when it came to the Florida real estate boom, this worked massively in his favour.

About David Hall

About David Hall

David Hall teaches History and Theory of Knowledge at Sevenoaks School. Formerly, he taught History, English and Theory of Knowledge in Latin America, History, English and Classics in Scotland, and History in the Middle East. He has published on history, literature and education in The Herald, Times Educational Supplement, Ancient Warfare Magazine and several other publications. A graduate of the Universities of St. Andrews, Oxford and Cambridge, he played golf for the latter and is a contributor to Golf Quarterly. For many years now he has contributed programme articles on the background to history plays performed at Shakespeare’s Globe Theatre, working for writers and directors including Eric Schlosser, Glyn Maxwell, Howard Brenton, Simon Armitage and Matthew Dunster.

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