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My World 2021

My World: June 2021…

This is part of a series of articles where our contributors describe how they think things will look a year from now.

It seems so much longer than a year ago that we were all coming cautiously and thoughtfully out of lock-down.  Wasn’t that just the most surreal of times?  We learned new terms like ‘self-isolating’, ‘social distancing’ and ‘furlough’, which will now be fixtures in our lexicon as a reminder of that vicious pandemic.

Do you remember the Millennium Bug? We all took years of our working lives preparing for the worst…and the worst never happened.  If we had been told Coronavirus was coming two or three years in advance, we would have been preparing methodically for that too.  The fact that it happened to us almost overnight and in such indiscriminate fashion made us feel we were all victims of some invisible conflict – with our renowned wartime spirit but without the comfort of congregation. Even the early (and often very imaginative) stream of dark British humour assaulting our WhatsApp accounts tailed off with time.

In truth, the tragedy of loss of life and economic carnage was difficult to live through.  Who would have wanted to be in the shoes of those who had make the judgement calls on finding the right balance between the health of the population and the health of the economy.  We will never know if those calls should have been made earlier or later than they actually were, and I don’t subscribe to the witch-hunt which has followed by those who conveniently and temporarily put their politics to one side. Which part of the word unprecedented do they not understand? As we analysed, projected and modelled the virus and studied other countries as they were put to sleep and then re-awakened from their respective nightmares, any amount of science could never provide a guarantee of outcome. Perhaps we will never truly know why the UK ended up being Europe’s Covid basket case.  

At Design Engine Architects, we went into lock-down with 29 live projects, three vibrant offices and a highly-motivated and talented team of over forty. As reality hit, and 60% of our projects were put on hold, we quickly set up the majority of people from home and put a relatively small number on furlough leave. I have never been so grateful for our IT Manager and Studio Manager and I was so impressed how seamlessly the transition was made from collaborative studio to individual makeshift home set-up.  As founders of the company, we had to learn equally quickly about job-retention schemes and the various financial deferrals as guidance was drip-fed from central government. I remember saying to myself more than once “….I only wanted to be a bloody architect”!  

It was clear to me almost immediately how this enforced new working pattern would change things permanently.  Over the preceding years, we had yielded to the demands and expectations of flexible working with a combination of requests for core hours, 9-day fortnights, 4-day weeks and so on. Being of a certain age and imbued with a rather traditional work ethic, I confess to have found this new disconnected business pattern hard to assimilate – or accommodate – at first. After all, architecture is a team sport, involving a huge number of inter-connected disciplines. But Coronavirus put all this in the shade: questions of trust and self time-management were swept aside in the interests of a disparate yet somehow still collective compulsion to continue with our service in the most effective way possible.

Microsoft Teams and Zoom immediately became the communication of choice and this new way of operating together became surprisingly instinctive.  Why were we chasing up and down motorways to meet people (who’s hands we still can’t shake today) when we could prepare, present, discuss and agree in such a measured way? I used to curse the fact that our extensive travel time wasn’t part of the job itself, it was just a means of getting ourselves to the place to do the job. Visits to construction sites to witness the build first hand were always inevitable, but even site inspections have been reduced by the changed culture of shared access to computer models, reports and site videos, so that troubleshooting and problem-solving has become more collaborative as a result.  Once a confrontational relationship, the one between consultant and contractor has been softened by necessity.  True, this spirit of co-operation was moving in the right direction anyway, but Covid accelerated it all.

I enjoyed the creativity of lock-down.  Those of us still in work were perhaps even busier, often doing slightly alien tasks, but it forced us all to think laterally, fill our time with different things and look for opportunities to help.  One of our little contributions was putting our 3D printers to use to make components for NHS respirators. Not on a huge scale of course, but these seemed to be a missing link in the manufacturing chain and our printers were lying idle.  

Having survived three years of Brexit madness and the election, we entered 2020 with at least some hope for a bit more stability and certainty. Everyone had had enough. Then, the floods caused by the likes of Dennis and Jorge came and were catastrophic for communities, but those of us fortunate enough to be unaffected could only look on with empathy.  Coronavirus was unique in that it put everyone in the same lifeboat.  We all moved from what we considered ‘normal’ in our lives, eased our way through the crisis into our own ‘temporary normal’ and now we have the ‘new normal’.  

My World 2021

About Richard Rose-Casemore

Richard Rose-Casemore

Richard Rose-Casemore is a practitioner and an academic. Having worked for some of the leading practices in the UK, he co-founded Design Engine Architects in 2000, and enjoys working in all sectors and at all scales, from masterplanning to interior design, with architecture at the centre. He has been the recipient of numerous national and international awards during 25 years of practice, and received the Stephen Lawrence Prize for his own house. Richard has travelled widely in his teaching and practice, and worked in South Africa for a year as an undergraduate. He has a particular passion for teaching and led a Masters studio at Oxford Brookes University School of Architecture between 1995 and 2010. He continues to act as a visiting critic and external examiner at various UK Schools. Richard is currently a Fellow of Royal Society of Arts, a Fellow of Oxford Brookes University, an Academician of Urbanism, a Member of the Chartered Society of Designers, and sits on the Royal Institute of British Architects (RIBA) Validation Board. He was a CABE Representative for five years and now chairs or sits on various Design Review Panels and the Higher Education Design Quality Forum (HEDQF).

Articles by Richard Rose-Casemore

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