I once knew a librarian who at age 34 fell in love with a poet she met in a bar who, though sober, announced that he adored her. For years she’d only dated men who were looking for a sympathetic sister, but this fellow lusted after her and suddenly she was shopping for a bigger bed and learning to samba. The problem was that his poems were bleak and not ingeniously bleak but dull bleak, disconnected dark images of dread and dismay. He wrote one for her and she said, “It’s nice”, and he said, “I can tell you don’t like it”, and she said, “It’s sort of dark”, and he ran out the door (he was living with her) and she hasn’t heard from him since.
It can be dangerous to tell the truth. Why couldn’t she have said, “I love it. It’s one of your best”? His poems weren’t hurting anybody. Polar bears weren’t dying from them, they weren’t poisoning the rivers. Let the man be a bad poet and eventually he’ll find his way into marketing or lawn mowing or some other gainful employment.
