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Buildings I love The Barcelona Pavilion, by Mies van der Rohe

The Architect

Pavillon Mies van der Rohe, Barcelona, Spain

Over many years of working on numerous projects, I have always drawn inspiration from the work of some of the great architects from the past (borrowing from the past to enhance the future). Probably one of the most influential of these was Mies van der Rohe (1886-1969) whose list of amazing projects have inspired so many modernist architects over the last 70 years or so.

There are of course so many of Mies’ wonderful buildings to choose from but I have narrowed it down to my favourite two, being the Seagram Building in New York (1958) and the Barcelona Pavilion (1929). I have chosen the latter for the simple reason that this building had a magical and timeless quality that, for my part, achieved an architectural perfection! It was designed as the German entrant for the 1929 International Exposition in Barcelona and it is an important building in the history of modern architecture.

Yet somewhat strangely this building that has left such a strong impression within the architectural world and beyond having attracted many thousands of visitors, originally stood for only a few months before it was pulled down. I and many others should therefore consider ourselves very fortunate that a decision was made to reconstruct the pavilion from the original plans and drawings in 1983 by Oriol Bohigas as Head of Urban Planning Department at the Barcelona City Council. Bohigas was part of Martorell/Bohigas/Mackay, who replanned and built much of Barcelona for the 1992 Olympics. Maybe the fact that it was originally a temporary building that happened to create such a memorable landmark in the world of contemporary and modernist architectural thinking is what in part also makes it so magical.

When I visited the building, the first thing that struck me was its pure beauty and perfect scale; a place of tranquillity and elegance. The pavilion’s floor plan is very simple with the building resting on a plank of beautiful travertine. Perhaps the detail I love the most is the way the roof plates are supported by a series of chrome clad cruciform columns (a detail I confess I have copied) and which gives the impression of a floating roof.

The materials within the Pavilion were a variety of exotic stones; golden onyx from the Atlas Mountains, Verde Antico marble from Greece and red onyx were used as spatial dividers with stunning effect. In fact walking through the Pavilion with its series of open walls, it was hard to tell interior from exterior. It was of course built quickly as you would expect for an exhibition and yet the quality of the materials that Mies chose made it full of quality and look permanent.

The Architect

About Simon Silver

Simon Silver

Simon Silver is a main board Director of Derwent London Plc. One of the Co-founders of Derwent Valley Holdings, Simon has overseen the design strategy for the group’s development and regeneration programme for over 30 years. He has overall responsibility for the commissioning of Architects on all Derwent projects. This has covered many notable schemes, including the TEA building in Shoreditch, the Angel building in Islington, Turnmill in Clerkenwell and most recently the White Collar Factory on Old Street roundabout. Simon is an Honorary Fellow of the Royal Institute of British Architects.

Articles by Simon Silver

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